Apex USA

America is dead! Long live America! I regret saying this.

ApexUSA is a stab into the darkness, an attempt via ad images to locate the exact point in the 20th century when America reached its peak.

This is not a yearning for the past. As time goes by, you gain some things, lose others. There are no answers here. Only evidence.

Somebody Made a Movie About the Almighty Helvetica–Really

June 25, 2010
By admin
Somebody Made a Movie About the Almighty Helvetica–Really

Holy cow. Previously, I have written about the Almighty Helvetica and how it was used to convey a sense of faux humility in advertisements in the 1960s. In fact, I plant the faux humility flag at about 1966. Turns out I’m not the only joker with this idea.  Gary Hustwit has directed a documentary...
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The Almighty Helvetica

December 16, 2009
By admin
The Almighty Helvetica

We see this everywhere at some point towards the latter half of the 1960s.  Helvetica font runs rampant.  It’s everywhere:  in the LIFE copy, in the ads.  It permeates other publications, as well, but rarely as much as in LIFE. Not only that, but lower case.  It’s more of that faux humility.  Helvetica is...
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The Gentlemanly Library that Never Was

December 9, 2009
By admin
The Gentlemanly Library that Never Was

One feature I see again and again from the 1930s to the 1950s is the Gentlemanly Library.  In so many cases, I imagine a permanent set at MGM or Warner’s where actors would sit down for their LIFE feature about Errol Flynn the Distinguished Scholar (or something).  Or at least Errol the scholar when...
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From Happy Beer to Glum Tick Spray

December 9, 2009
By admin
From Happy Beer to Glum Tick Spray

So what happened here.  How, in the span of 19 years, did we go from this to that?  The first image is from a beer ad dated October 31, 1949.  The second image is from a tick spray ad dated August 9, 1968. Most people might actually be more familiar with the 1949 image. ...
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Bratty Kids and the Authoritarian Voice

December 9, 2009
By admin

This 2008/9 commercial for Van de Kamp’s fish is another indicator of a cultural shift.  Yes, the kid is a mouthy, disrespectful brat–kids are kids, and they have always been kids*.  So that’s not the point.  Point is that in this commercial we’re saying, “The kid is right!” No longer is there an authoritarian...
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The Center Cannot Hold

December 9, 2009
By admin
The Center Cannot Hold

At some point in the mid-1960s, we start to see non-centeredness.  This ad for Chevrolet “OK” Used Cars from 1968 is a prime example.  The green box has been added by me. What’s at the center?  Usually, the most important information is at the center of the image.  But here we’ve got a bored...
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Raping My Last Memory Cell

December 9, 2009
By admin
Raping My Last Memory Cell

Stop reading this article.  Are you titillated by the word raping?  My website analytics indicate so.  This has article has nothing to do with sex and everything to do with mysteries and neural pathways, so if that’s your thing, read on: Somewhere:  1966 My search for this elusive song began in 1981, when I...
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Harkening to a Valentino Past

December 9, 2009
By admin
Harkening to a Valentino Past

What about antiquity in ads from the 1960s?  There is a point in advertising when we shift from forward-thinking (or even present-thinking) to thinking backwards.  This Oldsmobile ad from April 11, 1969 is hardly the most prominent example of this, but it’s a start.
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Muscularity and Humility: From 1935 to 1968

December 9, 2009
By admin
Muscularity and Humility: From 1935 to 1968

Popular Mechanics April 1935.  It doesn’t get much better than this.  I could write a dissertation about the Popular Mechanics style circa 1930s, but I will spare you.  Suffice to say this is complete balls-out, muscular journalism.  Contrast with this mis-directed, faux-humble ad from 1968 which practically says, “We’re nobody.”
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Faux Sixties Humility: Charlie Brown vs. Gen. Montgomery

December 9, 2009
By admin
Faux Sixties Humility:  Charlie Brown vs. Gen. Montgomery

Peanuts’ heyday was the 1960s, and in many ways Peanuts encapsulates so many of those points that The Sixties held so dear:  Freudian psychology, juvenalia, faux humility.  We have this Naive Art style (contrast this with the draftsman-like art of cartoonist Winsor McCay in Little Nemo in Slumberland).  Everything in Peanuts is slightly askew,...
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