Category: ApexUSA

ApexUSA is a stab into the darkness, an attempt via ad images to locate the exact point in the 20th century when America reached its cultural peak.

Is a LIFE ad for Pullman coaches really indicative of what was going on in America in 1937? Isn’t that a distorted view? Yes. But a serious, tight-lipped historical account would be equally distorted. Pick your distortion.

This is not a yearning for the past. As time goes by, you gain some things, lose others. There are no answers here. Only evidence.

  • Cheap and Easy Dreams: Spadrom Estates and Herbert Heftler

    Located in Anaheim, California, Spradrom Estates was a $7.5 million development of 486 homes that broke ground in 1956.

    It’s still there.

    Hundreds of housing developments were built across the Southern California landscape in the post-World War II housing boom of the 1950s and 1960s.

    Fairview Ranchos Billboard, No Down Payment, 1957
    Enchanted Homes Billboard, No Down Payment, 1957
    Dutch Haven Billboard, No Down Payment, 1957
    Spadrom Estates Billboard, No Down Payment, 1957
    Spadrom Estates Billboard, No Down Payment, 1957

    Like most housing developments of that period, Spadrom’s original name disappeared at some point. Residents of Dutch Haven or Fairview Rancho might have used the name of their development for years, but “Spadrom” doesn’t exactly roll off the tongue.

    Spadrom Estates no longer has a collective name. It is just an area comprised of Ravenna, Rivera, N. Raleigh, Citron, and N. Ralston Streets. Its namesake, Spadra Road, has since been renamed Harbor Boulevard.

    Spadrom Estates, Anaheim, CA 1950s

    Already by the early 1960s, the Riverside Freeway was being rammed east-to-west across the top of Spadrom Estates, just below Orangethorpe Ave. Manzanita Park was built. All of that accounted for the loss of about half of the 486 homes.

    Spadrom Estates, Anaheim, CA, 1963

    Spadrom Estates also gives us an insight into the actual meat-and-potatoes life of the architectural photographer, Julius Shulman. Shulman is famous today for his stunning images of high-profile mid-century modern buildings.

    Julius Shulman, Hollywood Hills, 1960
    Julius Shulman, Eames House, Pacific Palisades, 1968

    But these are only the photos we remember today. Shulman made his living, too, by photographing very low-profile homes and developments, like Spadrom Estates.

    Spadrom Estates House, Anaheim, CA 1956
    Spadrom Estates House, Anaheim, CA 1956
    Spadrom Estates House, Anaheim, CA 1956
    Spadrom Estates House, Anaheim, CA 1956
    Spadrom Estates House, Anaheim, CA 1956
    Spadrom Estates House, Anaheim, CA 1956
    Spadrom Estates House, Anaheim, CA 1956
    Spadrom Estates House, Anaheim, CA 1956
    Spadrom Estates House, Anaheim, CA 1956

    Finally, we have the ambitions of entrepreneurs of that age with enough capital to buy yet another unbuilt area of the Los Angeles metro landscape and slap down a housing development to reap the rewards.

    Herbert Heftler, 1959

    Born in 1913, Herbert Heftler had a father who was a builder in New Jersey. Heftler did a stint in the Army, then into law school, but he really wanted to build homes. Described as a “dapper man who works like a dynamo,” Heftler was neat and non-flamboyant, his one nod to flair being his off-beat cuff links.

    Heftler married into Hollywood in 1961 by marrying Louisiana-born B-movie actress Cleo Moore. At least they had one thing in common: houses. Says a 1953 newspaper account:

    Housebuilding is one of Cleo’s passions. She and her father and built and sold 11 homes in the San Fernando Valley.

    With Spadrom Estates, it’s tempting to get intellectual and intone solemn indictments about the failure of the American dream and about our fondness for illusory environments over real ones like, you know, cities.

    But residents of the old Spadrom Estates may have a different opinion. Most of the original houses are still there and in pretty good condition. None are for sale. The original four model homes located at Citron St. and Romney Drive remain and have plenty of foliage and trees.

  • No Down Payment (1957)

    No Down Payment begins peppy and optimistic as the two central characters, a couple, move to Sunrise Hills, a Southern California suburb. Things turn dark quickly. This is pure John Cheever and Raymond Carver and Mad Men all tossed together. No Down Payment is not a perfect movie, and the ending has a bit of a deus ex machina moment. The acting is spot-on. I’d never heard of Sheree North. In this movie, she is perfect in the part of the long-suffering, quiet wife of alcoholic dreamer Tony Randall. Pat Hingle is the closest to a moral compass that we get in this movie. Cameron Mitchell is the menacing or gentlemanly (which is it?) neighbor who threatens to turn their placid life upside-down. Good stuff.

  • Helen Dzo Dzo Kaptur: Pure Palm Springs Attitude

    Everything about this photo by Slim Aarons of Helen Dzo Dzo Kaptur just kills me. What I like is that Helen, 41 years old here and widowed for the last 10 years but prior to her marriage to Hugh Kaptur, is pure attitude, her posture, her so-what-ness carry it. Helen lived a rich life of two husbands, a career in modeling, three children, friends, travels. Helen’s obituary says of this and other photographs from Aarons’ series:

    Getting invited by her friend Nelda Linsk to her home in January of 1970 for a casual photo shoot immortalized Helen. The resulting photograph entitled “Poolside Gossip” by Slim Aaron depicts Helen seated poolside with her friend Nelda Linsk “gossiping” while actress Lita Baron approaches them. The iconic photo has come to define the Palm Springs lifestyle of the 1960s; style, fashion and architecture.

  • Haverhill’s and Its Whacked-Out Ads

    Haverhill’s: a weird stuff-emporium of the 1960s and 1970s, with goofy ads in big magazines like LIFE.

    Let’s start with the name, stylized as: haverhill’s. Why? Because this is post-apex America and it’s time to be humble. Fonts go Helvetica on us and upper-case bows meekly into lower-case. The ad copy, too, no longer is no longer boasting and preening about miracle ingredients in gasoline or hair tonic. Instead, it’s all goofy and loopy and prone to tangents, like this for a simple serrated knife:

    In our most compulsive desire to make new friends we decided to give away a whole truckload of MAC THE KNIFE…masterpiece of Vulcan’s art.

    And later:

    But, alas, our generous impulse was thwarted by one of our superstitious supernumeraries of officiously insisted that giving away a knife is very bad luck…

    So forth and so on for a knife. A serrated knife.

    Or for an AM-FM radio:

    When Fred Spanberger, our Controller, returns from his cost accounting seminar at the Wharton School of Finance, he might just decree a screeching halt to this whole crazy scheme.

    For a radio. If you dress it up well enough, people will buy.

    At the time, Haverhill’s operated out of the very 1960s-ish address of 582 Washington St., San Francisco.

    Now, Haverhill’s is operated out of a house at 16911 Grays Bay Blvd, Wayzata, Minnesota.

     

     

  • Fake Americana With a Topping of Grit: 4 Aces Movie Ranch, Palmdale

    4 Aces, located in Palmdale, California, is every Highway Patrol with Broderick Crawford and B-Minus-film noir from 1949 to 1960 wrapped up into one, big, delightful fake.

    The Diner

    This is where you take the woman hitchhiking in heels with a suitcase and a shady story about her father, in Chicago, kicking her out of the house, when you know it’s really something about a boyfriend or husband. The boyfriend or husband robbed a bank in Indiana, and the woman has the dough in that Samsonite.

    You listen to her story all evening—before you do what you’re about to do with her during the rest of the night. The next morning, she’s dead.

    4 Aces Motel

    Jan-Peter Flack created a movie ranch that specializes in just one look, one slice of Americana that still seems to be hanging on. It’s Atomic Age America but with the door open and the sand beginning to sift inside and the decay starting to happen.

    Even though it looks like a refurbished motel and diner, 4 Aces was apparently built in 1997, from scratch, and was first used for the Lenny Kravitz video for “American Woman.”

    4 Aces Motel Room

    Another 4 Aces Motel Room

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