Nice, if low-resolution, cutaway drawing of a nuclear fallout (i.e., bomb) shelter from 1962.
Source: Fallout Shelter Handbook by Chuck West. Published by Fawcett Books.
Cutaways from the 1960s (1960 to 1969).
Home-based nuclear fallout shelters combined everything that magazines needed in the 1960s to attract readers: fear, home remodeling, and the opportunity for producing great cutaways.
Just going into your basement during nuclear attack would decrease your chance of radioactive exposure to 10% of the exposure if you had stayed outside.
By undertaking some pretty major home remodels, all located in your basement and all eventually unused, you could shrink that statistic another ten-fold.
Source: Popular Mechanics October 1960
In 1961, LIFE extolled the benefits of building a basement bomb shelter out of pre-cast concrete blocks.
This cutaway drawing shows how the homeowner would have situated the shelter in a corner of the basement where it had no windows.
The article estimated materials cost not to exceed $200. It was estimated that radiation within the shelter would be about 1% of radiation outside.
As a final warning, the article mentioned that, should the nuclear warhead hit within 10-15 miles of you, the house might be blown down onto the shelter and catch fire.
Source: LIFE Sep 15, 1961
Drive through Woodinville, Washington and it has the glimmer of an Eastside Seattle suburb that is rapidly expanding. With its Target, brewpubs, and pricey housing developments, Woodinville is fairly unremarkable, a rural area reinventing itself as a wine-tasting destination. But on one weekend years ago, thousands descended on a rural and remote Woodinville to hear a fantastic collection of bands, many of which would become part of rock history.
In 1969, a local promoter named Boyd Grafmyre had the ambitious aim of assembling 25 musical groups over three days. A large sampling of the groups and individuals that played the Seattle Pop Festival are firmly planted as rock music icons. Others have fallen by the wayside. Taken from the event’s poster (below), the roster included:
Chuck Berry, Black Snake, Tim Buckley, The Byrds, Chicago Transit Authority, Albert Collins, Crome Syrcus, Bo Diddley, the Doors, Floating Bridge, The Flock, The Flying Burrito Brothers, Guess Who, It’s A Beautiful Day, Led Zeppelin, Charles Loyd, Lonnie Mack, Lee Michaels, Rockin Fu, Murray Roman, Santana, Spirit, Ten Years After, Ike & Tina Turner, Vanilla Fudge, and the Youngbloods.
In an August 30, 1969 article in The Daily Chronicle (Centralia, WA), Dorian Smith writes:
The days were filled with contented euphoria. Airplanes flew over and dropped bundles of flowers or spelled out the words “LOVE” and “PEACE” in letters of smoke. Each night the black heavens were illuminated with a fireworks display, including Roman candles, sky rockets and bright red flares. The third day witnessed a giant balloon filled with hot air ascend approximately 50 feet. Guided by a ground crew which navigated the balloon with a rope, a lone aerialist in the balloon dropped roses one at a time on the cheering audience.
Today, the Gold Creek Tennis and Sports Club is located here. All buildings still stand. But due to the area’s fast-changing nature and the lack of attention paid to the buildings, no doubt they will come down before long and be replaced by a winery. Though the area is zoned as an agricultural district, little by little it will become more urbanized.
Photo Caption: Pottery water pipes were among some of the unusual goods on sale at the Seattle Pop Festival, a rock festival at Gold Creek Park near Woodinville during the weekend. An Indian teepee decorated with an American flag was in the background. An estimated 50,000 persons attended the festival.
The text of the article reads:
More than 50,000 rock fans gathered at Woodinville’s Gold Creek Park over the weekend for a practically non-stop three-day festival of music, events and exhibitions. The first annual Seattle Pop Festival was a marvel of crowd control and smooth organization.
Sunday night was supposed to belong to The Doors but it was stolen right out from under them by the great English blues group, Led Zeppelin.
Coming onstage about 11:30 pm, immediately after the forced extravaganza of The Doors, the Zeppelin faced a jaded and uncomfortable audience that had been standing in the cold all evening. But the electricity of lead singer Robert Plant and guitarist Jimmy Page quickly warmed them up.
Plant has a voice that is controlled hysteria. Anguish pours from his every note; his voice is an epitome of the blues.
Page is an amazing guitarist. His runs and fingering are magnificent, his control of the instrument pure genius.
They were aided by a fine drummer, John Bonham and bassist John Paul Jones. Few who experienced it will forget Led Zeppelin’s performance, especially their smashing encore of Communication Breakdown.