Category: Simulated Places

Movie sets, trainers, simulators, fake cities, etc.

  • 27 Giant Props From Land of the Giants

    27 Giant Props From Land of the Giants

    Reporter Clay Gowran with giant camera from Land of the Giants

    The Land of the Giants television show from 1969 was pure visual candy. It had to be, since the plots were thin and often ridiculous, even by the standards of this outlandish world. Episodes each cost a reported $250,000 to produce. Giant props were built that simulated an oversized world that the travelers in the spacecraft Spindrift encountered. In one episode, the crew devise a plot to steal a revolver–a prop that, according to producer Irwin Allen, cost $9,200 to create. No CGI here, everything was accomplished with mattes, wide angle lenses, camera angles, and those giant props. Liberal use was made of the giant telephone, books, beaker, safety pin (which the crew used as a grappling hook), pencil, sardine can, bottle caps, and fire hydrant. It’s interesting to note, too, that so many of those items are quaint antiques today.

    Irwin Allen told reporters that he conceived of Land of the Giants after having a nightmare where he was chased around by giants. This unnamed world was supposed to be twelve times larger than Earth, with cars 60 feet long and pencils 8 feet long. When Clay Gowran, a reporter for the Chicago Tribune, visited Allen at 20th Century Fox in August 1968, he had to use a 14-foot stepladder to reach the top of the 35 mm camera prop.

    Giant wrench

    Giant clock and cart made from sardine can and bottlecaps

    Giant set of stairs merged with giant person via matte

    Giant safety pin used as grappling hook

    Giant pork and beans and other cans

    Giant pencil and magnifying scope slides

    Giant outlet and table

    Giant box and bottle

    Giant helium container and spigot

    Giant moving hand

    Giant pistol

    Giant gauze, cotton puffs, and hand

    Giant gas can

    Giant fire hydrant (used numerous times)

    Giant working match and envelope

    Giant desk lamp and light bulb

    Giant desk items and cage

    Giant bottle

    Giant camera

    Giant bricks

    Giant box

    Giant telephone and books

    Giant berries

    Giant beaker

    Giant beaker

    Giant aerosol can

    Giant hydrant again

  • The Real-Life Airflite Cafe from Twilight Zone’s “100 Yards Over the Rim”

    In Twilight Zone’s second season show, “A Hundred Yards Over the Rim” (1961), Christian Horn, the leader of a wagon train from 1847, leaves the party to help his ill son.  What he finds is present-day, early 1960s New Mexico.  The center of the action is the Airflite Cafe.  Recently, I was amazed to learn that the Airflite Cafe is still standing.

    Begin with the scene from the show.

    Airflite Cafe Today

    Located on the Eastern side of the Sierra Nevada Mountains, just off of US 395, near Olancha and Grant California, its exact address is 2010 S. Hwy 395.  Without a doubt, the building is the same.  You can match the facade–three dormer windows above the door, two on each side, then another two–with the facade in the show.  Then there is the rounded porte cochere that matches.  The wood sidewalk today is likely covering the concrete walkway from the show.

    From a CalTrans historic property survey:

    The property is a large, single-story commercial building constructed in 1948 as part of John Grant’s tourism and highway service developments. Gene Christensen later acquired the building and operated the Southern Inyo Garage and Store. The building is fairly plain, but the curvature of the false front and the pylon evoke a reference to the art moderne style. By 1957, the building was remodeled and converted to the Airflight Café, and eventually became the Stagecoach Inn. The restaurant closed in 1975, after which it was remodeled to serve as a market.

    It appears that by December 2022, a CalTrans project called the Olancha Cartago 4 Lane Project will move Hwy 395 a few miles west, effectively cutting off the Airflite Cafe from easy access.

  • Alex Prager’s Cinematic Dreamspaces

    I will not name the well-established artist who I’m sure Alex Prager’s work is often compared to, but I will say that, like that artist, she does spin off of vintage cinematic ideas.  As MOMA’s bio says, she takes cues from Douglas Sirk and Alfred Hitchcock.

    Irene 2010, Alex Prager

    Great access point to her work, but she takes it further.  It’s like what Hitchcock or Sirk would have done if the studios had let them slow down and wallow in the moment, instead of racing ahead with the narrative.

    Alex Prager Compulsion
  • Tour I Love Lucy’s Fictional Beverly Palms Hotel

    It’s the part of the I Love Lucy TV series that stands out in so many viewers’ minds:  Hollywood and the Beverly Palms Hotel.  For three seasons, Lucy, Ricky, Fred, and Ethel lived in Manhattan.  There were location changes between apartments, Ricky’s Tropicana Club, various stores, but mainly they stayed within the New York area.  Then in season 4, Ricky gets a movie offer and about halfway through that season they all pile into a car and drive to Hollywood.

    Where they stay is the fictional Beverly Palms Hotel.  A brief exterior shot shows the car passing the porte cochere of the Beverly Palms, today the Avalon Hotel.

    When you enter Ricky and Lucy’s room, you enter a foyer.  This is the real room:

    And this is a replica of the Beverly Palms Hotel, located at the Lucy museum in Jamestown, NY.

    Here is the room as a whole.

    And the replica in Jamestown, NY.

    Then a close-up of the sofa with Lucy and Ethel.

    And the porch and Hollywood photo backdrop.  In the backdrop, you can see the Knickerbocker Hotel.  On March 4, 1966, William Frawley, who lived at the El Royale Apartments at 450 N. Rossmore Avenue, had left a movie theater near the Knickerbocker and collapsed in front of the Knickerbocker, where he died.

  • Universal Studios 1972: Scenes from a Studio on a Verge of a Boom

    With these photos of Universal Studios in 1972, understand the context:  this was the studio at one of its lowest points.  Its big, bustling period of huge stars and directors was well in the past.  Its next boom, the Easy Riders, Raging Bulls period detailed by author Peter Biskind–Jaws, The Sting, American Graffiti–had not yet happened, though it was right around the corner.  Though it was a well-established studio tour and most of it was orchestrated for tourists, a few “real studio” elements did shine through.

    Universal Studios Entrance

    Far quieter than it is today.  Notice that you could park just a few feet away from the ticket booths.

    Western Set (for Tourists)

    Universal Studios 1972 – Western Set

    Traditional Westerns were long dead by 1972 (replaced by the anti-Western), notably 1969’s True Grit.  But the iconography of the Western still meant something to most people.

    Especially the Western Stunt Show

    Universal Studios 1972 – Western Show with Stunt Men

    Purely for tourists, the Western stunt show, with blank guns a-firing and stuntmen a-fallin’, were a staple of many fake Western towns of that period.

    Prop Plaza’s Fighter Jet

    Universal Studios 1972 – USAF Fighter Jet

    Prop Plaza was a place for tourists to chill.  All of the props scattered around the plaza were authentic.

    Above Universal Studios

    Universal Studios looks nothing like this today.  A fire in 2008 destroyed much of the backlot.

    Top View of Universal Studios Backlot and New York Street

    Universal Studios 1972 – High View of Studio

    A tighter view showing the extensive New York Street backlot at Universal.

    Snow-Making Machine and Snow Backdrop

    Universal Studios 1972 – Snow Backdrop

    Put together for tourists, this snow backdrop featured a snow-making machine (top).  A wire cylinder rotated, releasing the fake snow.  Almost certainly the backdrop of the snowy scene was used in Universal movies of the past.

    Stuntmen Practicing on New York Street

    Universal Studios 1972 – New York Street

    Not a demonstration for tourists, this was a group of stuntmen practicing or rehearsing a scene for a movie or TV show.

    Interior Room Set

    Universal Studios 1972 – Interior Home Set

    Likely this was a real interior set that was temporarily available for the studio tour.

     

    Fake Burning House

    Universal Studios 1972 – House on Fire Exterior Set

    This fake burning house would catch fire every time a tram passed by.  This was a real set.

    Back of the Burning House

    Universal Studios 1972 – House on Fire Set Back Side

    Fake Rocks on Prop Plaza

    Universal Studios 1972 – Hefting Fake Rocks

    Oversized Telephone, Chair, and Table

    Universal Studios 1972 – Giant Props

     

    Prop Plaza: Giant Books, Scissors, Hand

    Universal Studios 1972 – Giant Book Props

    Titles:  Play It As It Lays, by Joan Didion, Slaughterhouse Five, by Kurt Vonnegut, and a fake novel, Frenzy, referring to the Alfred Hitchcock movie of the same name. While it’s tempting to think that these props were used in the Land of the Giants TV show (1968 to 1969), this is unlikely, since Giants was produced by 20th Century Fox.

    Fake Rain

    Universal Studios 1972 – Fake Rain on Sea Port

     

    Fake Snow Scene with Dry California Hills in Background

    Universal Studios 1972 – Exterior Snow Set

     

    Seaport and Dock

    Universal Studios 1972 – Exterior Sea Port

     

    Sea Port and Dock Set with Wave-Making Machine

    Universal Studios 1972 – Exterior Sea Port with Wave Making Machine

    OK, maybe not waves exactly–ripples?

    Sea Port and Dock Set

    Universal Studios 1972 – Exterior Sea Port and Dock

     

    Chariot

    Universal Studios 1972 – Chariot

     

     

Exit mobile version